Grade Selection

Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Differentiated Learning - Books

Char, F. (2002) Differentiated instruction: different strategies for different learners : 101 kid-tested strategies. Peterborough, N.H.: Crystal Springs Books

D’Amico, J. (2010) Differentiated instruction for the middle school science teacher : activities and strategies for an inclusive classroom. San Francisco: Jossey-Bass

Nordlund, M. (2003) Differentiated instruction : meeting the educational needs of all students in your classroom. Lanham, Oxford : Scarecrow Press

Tangen, D., Bland, D., Spooner-Lane, R., Segley, T., Mergler, A., Mercer, L., Curtis, E. (2008) Engaging Diverse Learners: Differentiated Instructions (p. 8-9).Frenchs Forest, N.S.W.: Pearson Education Australia

Surrealism and Dada - Books

Ades, D. (1978) Dada and Surrealism Reviewed. London: Arts Council of Great Britain
            5 Essays on Dada and Surrealism

Ball, H., Tatlin, V., Breton, A. (2006). Dada Manifesto, The Work Ahead of Us, First Manifesto of Surrealism. In Lewer, Debbie (Ed.), Malden, MA: Blackwell
Essays and reflections by Hugo Ball, Vladamir Tatlin and Andre Breton about the rise of Dadaism and Surrealism at the time when it was happening (approx. 1920)

Camfield, W. A. (1993).  Max Ernst : Dada and the dawn of Surrealism . Munich: Prestel
Catalogue of the exhibition “Max Ernst: Dada and the Dawn of Surrealism” held at the Museum of Modern Art, New York, 1993.

Duchamp, Marcel ; Hoch, Hannah. (1968). Theories of modern art : a source book by artists and critics (pp. 392 - 395 ; pp. 396 – 369) Berkeley: University of California Press
Marcel Duchamps’ ideas of what are can be and his reflections of what art was at the time.

Pop Surrealism - Books


Stecyk, C. (2003) Malicious Resplendence : the Paintings of Robt. Williams. Seattle, Washington: Fantagraphics Books
Williams, R. (2002) The Lowbrow art of Robert Williams. San Francisco: Last Gasp
A compilation of Robert Williams’ Paintings.



The Aldridge Museum of Contemporary Art (1998) Pop Surrealism, Ridgefield, Connecticut: The Aldridge Museum of Contemporary Art
Published for the “Pop Surrealism” Exhibition held at the Aldridge Museum of Contemporary Art in 1998. The book includes pictures of artworks, a brief history of Pop Surrealism, 2 other essays: The Grotesque Body in Pop Surrealism, Pop Icons: A little Idyll and selected quotes.

Williams, R. & McCormick, C. & Reid, L. (2004) Pop Surrealism: the rise of underground Anderson, K. Ed., San Francisco, CA: Ignition Publishing and Last Gasp
A comprehensive survey of the Pop Surrealism/Lowbrow art movement. Includes informative essays by art luminaries Robert Williams, Carlo McCormick, and Larry Reid, images from 23 Pop Surrealism artists. 



Pop Art - Books

Angelotti, M. (2011) Pop Art. Vercilli, Italy: White Star
Contains an intro chapter on Warhol and brief biographies of all the artists and a history of the movement throughout the world. "Pop Art" captures the playfulness of the style, revealing how its use of imagery taken from the mass media deftly breached the barrier between high and low art.

Moorhouse, P. (2007) Pop Art Portraits. New Haven: Yale University Press
The context for pop art, 'The age of boom': Britain and the United States in the 1950s-1960s. Overt, covert and imaginary: the iconography of the pop art portrait= A new image of art

Livingstone, M. & Cameron, D. (1991) Pop Art: An International Perspective. New York. NY: Rizzoli
History of Pop Art

Waldren, M. (2009) The Mind and Times of Reg Mombassa. Pymble, N.S.W.: Harper Collins
Reg Mombassa: Artist of the fashion brand “Mambo”. Pop Art, Music and Fashion.

Installation Art - Books

Davies, H.M. & Onorato, R.J. (1997) Blurring the Boundaries: Installation Art 1969-1996. San Diego: Museum of Contemporary Art
Catalogue of an Installation art exhibition at the Museum of Contemporary Art, San Diego in 1997.

De Oliveira, N. (1994) Installation Art. Washington, D.C.: Smithsonian Institution Press
Describes the tradition and explore the achievements and ambitions of the installation artist. Reference material include: a chronology which details the history of installation from its roots in the late nineteenth century to today and an extensive bibliography.

Geczy, A. (2001) What is Installation? An Anthology of Writings on Australian Installation Art. Sydney, NSW: Power Publications
Lots of essays discussing Installation Art.

Reiss, J.H. (1999) From Margin to Center: The Spaces of Installation Art. London: MIT Press

Contemporary Asian Art - Books

Asia Society. (1996) Contemporary Art in Asia: Traditions/Tensions. New York, NY: Asia Society Galleries.
Published in conjunction with the exhibition: Contemporary Art in Asia: traditions/tensions organized by the Asia Society Galleries, New York.


Binghui Huanfu. (2000) Text & Subtext: Contemporary Art and Asian Women. Singapore, LASALLE-SIA College of the Arts.
20th Century, Asian Feminist Art.


Clark, J. (1998) Modern Asian Art. Sydney, NSW: Craftsman House.
Focuses on the modern art of Japan, China, India, Thailand and Indonesia.


The following are the Exhibition Catalogues for the Asian-Pacific Triennials
(1-6) at the Gallery of Modern Art, South Brisbane, QLD:
Queensland Art Gallery. (1993) The First Asian-Pacific Triennial of Contemporary Art, Brisbane, Australia 1993. Brisbane, QLD: Queensland Art Gallery.

Queensland Art Gallery. (1996) The Second Asian-Pacific Triennial of Contemporary Art. Brisbane, QLD: Queensland Art Gallery.

Queensland Art Gallery. (1999) Beyond the Future; The Third Asia-Pacific Triennial of Contemporary Art. Brisbane, QLD: Queensland Art Gallery.

Queensland Art Gallery (2002) APT2002. Brisbane, QLD: Queensland Art Gallery.

Queensland Art Gallery (2006) The 5th Asia-Pacific Triennial of Contemporary Art. Brisbane, QLD: Queensland Art Gallery

Queensland Art Gallery (2009) The 6th Asia-Pacific Triennial of Contemporary Art. Brisbane, QLD: Queensland Art Gallery

Australian Indigenous Art - Books

Fraser, J. (2006) The Other APT: An Exhibition of Other Perspectives (Aboriginal, Torres Strait Islander, Melanesian, Polynesian and Maori Viewpoints). Brisbane, QLD: Raw Space Galleries
Exhibition coincides with the 5th Asia Pacific Triennial at Queensland Gallery of Modern Art and is housed at Raw Space Galleries, South Brisbane.
Exhibition features works from Aboriginal, Torres Strait Islander, Melanesian, Polynesian and Maori viewpoints.

Nicholls, C. (2010) Australian Contemporary Indigenous Art Now. Melbourne, VIC: Vivien Anderson Gallery
Catalogue from an Indigenous Art Exhibition in Vivien Anderson Gallery, Melbourne. Photographs and works and essays on Australian Indigenous Art and Culture.