An Installation Art example appraising task sheet appropriate for year 10 students (Reference: Carmen Mak)
http://www.mediafire.com/?7qwkqv18ccabz00
(Click to Download)
Showing posts with label Installation Art. Show all posts
Showing posts with label Installation Art. Show all posts
Installation Art - Lesson Plans
A sample Installation Art lesson plan (Reference: Bridget Hoyle)
http://www.mediafire.com/?qdxt7dbuux6dh08
(Click to Download)
http://www.mediafire.com/?qdxt7dbuux6dh08
(Click to Download)
Installation Art - Lesson Powerpoints
An example lesson powerpoint (Reference: Bridget Hoyle)
http://www.mediafire.com/?jlyd0u9biulq7fu
(Click to Download)
http://www.mediafire.com/?jlyd0u9biulq7fu
(Click to Download)
Installation Art - Online Resources
THE GLUE SOCIETY
· Sydney/New York-based creative collective, the Glue Society
· formed in Sydney, Australia, in 1998 by Jonathan Kneebone and Gary Freedman
· Reject both the title "agency”
· They're creative-content providers, pure and simple.
· Cross-media thinkers.
· Projects includes
o Sculpture
o graphic design
o web sites and viral campaigns
o traditional TV advertising
o print
o short films
· Hot with the Chance of a Late Storm
o Sculpture of a melted ice cream van
o Installed on Tamarama Beach near Sydney in November 2006.
o Part of the 2006 Sculpture by the Sea fair.
The Glue Society (n.d.) The Glue Society. Retrieved from http://www.gluesociety.com/
TADASHI KAWAMATA
· Turning Trash into Public Sculpture & Installation Art
· Installations:
o composed of found objects
o construction remnants and other offbeat materials
· urban
· site-specific
· grow to monstrous proportions in public spaces.
· challenging highly populated built environments
· structure and forms composed of common materials
o usually ignored
o but impossible to miss in his massive installations
(often stack up objects in highly public spaces)
Dornob Design Daily (n.d.) Turning Trash into Public Sculpture & Installation Art. Retrieved from http://dornob.com/turning-trash-into-public-sculpture-installation-art/
ROSE SKINNER
· lives and works in Perth, Western Australia
· Top : IMAGINOPOLIS (2010)
· Bottom: LLAMALAND (2009)
Skinner, R. (2009) Imaginopolis at Bread Box Gallery. Retrieved from http://www.roseskinner.com/index.php?p=1_4_Installations
ERNESTO NETO
- Brazilian Artist
- Installations
- large, soft sculptures that fill an exhibition space
- viewers can touch, poke, and sometimes walk on or through.
- made of white, stretchy, stocking-like material
- stuffed with Styrofoam pellets or sometimes, aromatic spices.
- Below left: ANTHROPODINO
- 2009
- New York’s Park Avenue Armory
- Filling the 5,100 m2 hall
Everyday Facts.net (2010, 8 July) Ernesto Neto Art Installations. Retrieved from http://www.everydayfacts.net/2010/07/ernesto-neto-art-installations/
HENK HOFSTRA
· Dutch artist
· Art Eggcident
o Public art
o several 30-metre wide fried eggs cracked open along the Zaailand
o Zaailand: one of the Netherland’s largest open squares.
o The largest eggs are totally flat
o the smaller ones have a three-dimensional “yolk”
§ perfect for climbing on and sitting on
§
Shape + Colour (n.d.) Henk Hofstra: Art Eggcident. Retrieved from
BRAD DOWNEY
- Castles beneath Cities 2008
- Louisville-born, Berlin-based artist
- by unearthing German street stones to create sand castles
- impromptu 3D installations
Schmelzer, P. (2007) Brad Downey in Germany: Beneath the Paving Stones. Retrieved from
ANDREA MASTROVITO
- the Dior Homme store in Paris
- 9,000 fantasy like butterfly silhouettes
- making their way through the boutiques white walls and ceiling.
Ambushu.com (2009) Andrea Mastrovito butterfly installation at Dior homme paris. Retrieved from
YAYOI KUSAMA
· Japanese-American Artist
· Lives and works in Tokyo
· painter, sculptor and environmental artist for the past 50 years.
· uses images of nets, dots, repeated patterns and mirrors as ways of understanding and coming to terms with the vastness of life.
· Infinity Rooms:
o Right: Soul under the moon 2002 (Gallery of Modern Art)
o Top: Fireflies on Water 2002 (Sydney Museum of Contemporary Art)
· Central Themes:
§ reflection, repetition and infinity
· The viewer may become confused and disoriented
· The conventional purpose of a room is to contain and define a space
o by contrast, Kusama’s rooms appear expansive and limitless.
· Experience:
o similar to gazing at a clear night sky full of stars:
o eventually, the sense of infinity is overwhelming and all-consuming.
Resneck, J. (2007, 3 August) Yayoi Kusama. Retrieved from
LEANDRO ERLICH
Swimming pool 2010
Timber, swimming pool ladder, plexiglass and water
· Installations:
o familiar spaces - apartment buildings, hairdressing salons, and gallery spaces
§ used in unexpected and confounding ways
§ Basic laws of physics are seemingly inverted
o Viewers:
§ plunged into environments that both confuse and delight the senses.
· Swimming pool:
· gallery space is transformed into a swimming pool
o with timber decking, ladder and lapping water.
o Approaching the edge of the pool, visitors are further confounded by the sight of people walking underneath the water.
Queensland Art Gallery (2011) Leandro Erlich: Swimming Pool. Retrieved from
Martin Creed
Work No. 956 2008: Half the air in a given space (purple) 2008
Purple balloons
Multiple parts, each balloon 28cm diameter
Installed size variable
- Born in Scotland but Lives in London, England
- Illuminate the objects, spaces and logic of our daily lives.
- Makes art from things we take for granted
- Enacts a shift in the way we look at and think about familiar objects and situations.
- Transforms mundane materials into highly affecting installations and objects.
- For Work No. 956: Half the air in a given space (purple) 2008
- gallery space filled with approximately 3000 purple balloons.
- profoundly affects the viewer’s spatial and bodily awareness.
- an infectious sense of humour and surprise.
Queensland Art Gallery (2011) Martin Creed: Work No. 956. Retrieved from
Xu Zhen
ShanghART Supermarket (Australia) 2007-08
Mixed media installation
- Lives and works in Shanghai
- ShanghART Supermarket (Australia)
- An incisive + humorous comment on the growth of consumer society
- inside and outside China.
- Reconstructs a typical modern Chinese supermarket in appearance
- fully stocked, but with empty packages.
- an ironic and complex statement on the art world
- hinting: inflated market prices and voracious demand for contemporary Chinese art.
Queensland Art Gallery (2011) Xu Zhen: ShanghART Supermarket. Retrieved from
Installation Art - Books
Davies, H.M. & Onorato, R.J. (1997) Blurring the Boundaries: Installation Art 1969-1996. San Diego: Museum of Contemporary Art
Catalogue of an Installation art exhibition at the Museum of Contemporary Art, San Diego in 1997.
De Oliveira, N. (1994) Installation Art. Washington, D.C.: Smithsonian Institution Press
Describes the tradition and explore the achievements and ambitions of the installation artist. Reference material include: a chronology which details the history of installation from its roots in the late nineteenth century to today and an extensive bibliography.
Geczy, A. (2001) What is Installation? An Anthology of Writings on Australian Installation Art. Sydney, NSW: Power Publications
Lots of essays discussing Installation Art.
Reiss, J.H. (1999) From Margin to Center: The Spaces of Installation Art. London: MIT Press
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